The Dream Demon

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Dream Demon 1988

I would talk with them about their dreams, make drawings based on the dream imagery, and feed them into a programmable, dynamic, vortex with which viewers could interact. At the end of the project, each dreamer would receive a drawing to complete the cycle of exchange. Through this work, I positioned myself as an intermediary between scientific and artistic worlds.

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The artwork would be a social structure that held both domains in dynamic relationship without blurring them, just as its visual structure, the vortex, whirled together distinct streams of research and imagination. He waved his hand at the bins of powdery mineral colors. Historically, new technologies enable new art forms as they become widely available, as in the s when the Sony Portapak triggered video art. That technology was expensive, and remained, for the most part, in laboratories, but two decades later, between and , the video gaming market stimulated the introduction of home 3-D viewing systems.

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In sales of 3-D monitors, which could become interactive with the addition of gaming controllers, took off. And they showed up, before they were commercially available, in the Complexity Sciences Center.

There was plenty of work to do on the Dream Vort ex and, as time went on, its daughter vortices, that required no philosophical speculation. For the model to make sense, you need to know something of the Dream Vortex. Data from all kinds of studies, on subjects ranging from molecules to snowflakes to continents, was transformed into weightless, malleable imagery. It was like entering a room with physical objects and moving them around, except that you could also change their color, scale and position, orient them without regard for gravity, slice them up, and merge them.

Because CAVEs are expensive they will remain exotic, but in many ways they still offer an unsurpassed virtual experience, with more flexibility of manipulation, movement and shared participation than head-mounted VR displays.

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Why would a fantastically busy researcher —her work on early life, studying microbial communities in Antarctic lakes, had earned her a spot on the Mars Curiosity team and she was then a leader in the effort to choose a landing site— make room in her life to work with an artist? Over our seven years of work together, Sumner must have found several answers to that question, some of them embedded in adventure and growing friendship. At the time, the innovative way Sumner used the CAVE to investigate geobiological questions was under study by two anthropologists of science, Natasha Myers and Joe Dumit, who sought to describe the relationship between her visualization tools and her thinking.

Or this?

Demon Dream Meaning

What can I see now? Imbuing the CAVE with the new movement functions for the artwork meant those functions would be available for science, too.


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A dream-appropriate degree of surprise, provided by a hidden network of associations built into the programming, meant that as viewers interacted with the piece, elements would occasionally morph, unbidden, into new images. In the s, the film remains a fascinating obscurity, having never been released to dvd due to the fact that its right were tied up following the financial collapse of Palace Pictures,.

Harley Cokliss, a rather routine director who has struggled to keep his hand in down at the lower end of the market with occasional films and assorted tv movies and episodes, conducts some okay shocks and a reasonable degree of atmosphere in all the running around the labyrinthine cellars and mirror-reversed apartments.

There is, for instance, no titular demon.

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Everything sort of makes sense eventually but in a rather pointless way that reeks of exaggerated pretensions. The best part of the film is actually the casting apart from the perpetually awful Kathleen Wilhoite. Jemma Redgrave, of swimmingly beautiful brown eyes, has just the right looks and slightly pouty, moody demeanour to be a Sloane Ranger.

In the s, the film remains a fascinating obscurity, having never been released to dvd due to the fact that its right were tied up following the financial collapse of Palace Pictures, Harley Cokliss, a rather routine director who has struggled to keep his hand in down at the lower end of the market with occasional films and assorted tv movies and episodes, conducts some okay shocks and a reasonable degree of atmosphere in all the running around the labyrinthine cellars and mirror-reversed apartments.